Heritagescapes

We are mapping a heritage ecology of the metropolis of Madrid presented through theories, histories and designs.

A Critical Mapping of the Metropolitan Cultural Landscape: Future Heritages

Research project developed by the Cultural Landscape Research Group GIPC of the Madrid School of Architecture at the Universidad Politécnica de Madrid, with the participation of the ADAPTA Research Group at the Universidad Complutense de Madrid. 
Grant PID2022-140500NB-I00 funded by: 

The Frontline Around Madrid: Comparison Between Battle Maps and War Remnants Density Maps of the Spanish Civil War in Madrid

Nicolás Mariné

Curating Heritage. On the Future of the Past in the Everyday Landscape of the Metropolis of Madrid

Rodrigo de la O and Eduardo de Nó

Everyday heritage: Representation and landscape in the region of Madrid

David Escudero and Diego Toribio

Architecture and landscapes for agricultural research in Madrid: documenting scientific and technological heritage

Rodrigo de la O and Eduardo de Nó

Are We What We Eat? A Heritage Perspective on the Agri-food Landscapes of the Madrid Region

David Escudero, Beatriz Pereira

Water to Feed Madrid: 18 km of Orchards and Nurseries Along the Course of the Canalillo

Carmen Toribio

Gardens of yesterday and today, their persistence in the City of Madrid: Comparative study of the Transformation of Private Gardens in Madrid

Lucía Gamboa Sánchez Blanco

Vestige, Signal and Onset of an Event: Sundays at the Rastro

Marina Gil Escalada

Reclaiming the City Through Its River: The Case of the Manzanares

Claudia Rivera Lario

Domestic Architecture in the Sierra de Guadarrama: 20th Century

Guillermo García Prieto

Industrial Madrid: evolution and permanences Around Atocha

Marta Abadín García

Devices of the Real, Collective Devices

Carlo Udina Rodríguez

Between the Playful and the Working-Class: An Atlas of Goya’s Madrid

Juan Castro Sánchez

Towards a Master Plan for the Landscape of Light: Paseo del Prado and Buen Retiro, Landscape of Arts and Sciences

Pablo Jaque Valdés

From water to landscape: the transformation of the Royal Site of Aranjuez through Hydraulic Engineering

Carlos Corisa Andarias

From the kitchen to the landscape. Architectures of Cocido in Madrid.

Beatriz Pereira

Among productive landscapes: the former El Águila brewery in Villaverde, Madrid.

Diego Sacristán

Adaptive reuse and heritage practice: Origins, meanings and strategies

Graziella Trovato

Unveiling Madrid’s Visual Imagery: An Ongoing Attempt

David Escudero

Navigating the Meaques Stream in the Casa de Campo

Clara Cernou

The water footprints of enlightened Madrid and the hydraulic legacy of Juan de Villanueva

Eugenia Abejón

Transhumance Landscapes and Nature-Based Tourism

Cecilia Arnaiz and Marifé Schmitz

Castle of Villaviciosa de Odón: A Scientific Heritage of Forestry Research and Education

Eduardo de Nó

Heritage Networks in Villaverde’s Industrial Landscape

Rafael Guerrero

Ecology of the Royal Sites: The Livestock Trails of El Escorial

Eva Calderón

Co-Design in Urban Framing

Finca formativa "Huerto El Pozo"

The GIPC

Rethinking Public Spaces through Urban Farming

Concha Lapayese, Francisco Arques y Diego Martín-Sánchez

Unveiling Agricultural Heritage

Marina López-Sánchez

Historic Nurseries: A Cultural and Natural Legacy in Transformation

Carmen Toribio

Hydraulic Heterotopias: The Image of Technique

Carmen Toribio

Surrounding the Non-Urbanized Villa de Vallecas

Marina López-Sánchez

Curating Heritage Ecologies

Everyday heritage: Representation and landscape in the region of Madrid

MWP-I
MAPPING INFRASTRUCTURES AND
NATURECULTURE VALUES
Info

David Escuedro and Diego Toribio examine the role of representation in shaping cultural landscapes in the region of Madrid, arguing that its values are also defined by the images and narratives of everyday practices.

Using the concept of everyday heritage, the authors propose a critical reading of how visual representation—particularly photography, cinema, and other artistic media—contributes to the emotional bonding between communities and the places they inhabit, allowing ordinary environments to acquire cultural meaning over time. Representation is approached not as a neutral act of documentation, but as an active process that produces imaginaries and mediates collective memory. Through repeated visual interpretations, certain places become recognisable, emotionally charged, and culturally legible beyond their immediate context. These representations consolidate shared values, shape public perception, and can ultimately support processes of heritage recognition, even in landscapes traditionally considered marginal, peripheral, or purely functional.

Puerta de Europa. Acrylic on paper mounted on board. Author: José Manuel Ballester, 1992.

Puerta de Europa. Acrylic on paper mounted on board. Author: José Manuel Ballester, 1992.

To explore these dynamics, the article analyses three contrasting sites in the Madrid region that have accumulated dense visual archives: a metropolitan landmark in Plaza de Castilla, a residential peripheral area in the Barrio de la Concepción, and the historic Plaza Mayor of Chinchón. Each case reveals how different forms of representation—painting, film, photography, popular culture, and institutional imagery—interact with everyday life to construct distinct landscape identities shaped by urban scale, social practices, and historical continuity.

Still from the film "What Have I Done to Deserve This?" (Pedro Almodóvar, 1984).

Still from the film "What Have I Done to Deserve This?" (Pedro Almodóvar, 1984).

The case of Chinchón is particularly illustrative due to the long temporal depth of its representations. Over centuries, the Plaza Mayor has been portrayed in chronicles, paintings, photographs, and films that repeatedly depict both festive and ordinary activities. These images accumulate without radically altering the physical space, producing a layered visual memory in which everyday practices—markets, games, preparations, encounters—become central to the square’s cultural significance. Representation here functions as a repository of collective experience, reinforcing the plaza’s role as a living landscape rather than a static monument.

Photographs of Chinchón. Left: Arcaded Plaza Mayor, balconies and children playing. Right: General view taken from Calle de la Iglesia. Author: Juan Baraja for Misión Región, 2022.

Photographs of Chinchón. Left: Arcaded Plaza Mayor, balconies and children playing. Right: General view taken from Calle de la Iglesia. Author: Juan Baraja for Misión Región, 2022.

Understanding cultural landscapes requires acknowledging the interplay between material space and the intangible dimensions produced through representation. Ignoring this visual and symbolic layer risks reducing landscapes to purely physical entities, detached from the affective bonds that sustain them. By making visible the everyday, artistic representation helps articulate shared identities and embeds cultural value in ordinary places, revealing how landscapes are continuously constructed through the images that communities produce, share, and remember.

Province Day in Chinchón. Festival in the Plaza Mayor of Chinchón (Regional. Towns. Bullfighting). Author: Martín Santos Yubero, 1954.

Province Day in Chinchón. Festival in the Plaza Mayor of Chinchón (Regional. Towns. Bullfighting). Author: Martín Santos Yubero, 1954.

Puerta de Europa. Acrylic on paper mounted on board. Author: José Manuel Ballester, 1992.
Still from the film "What Have I Done to Deserve This?" (Pedro Almodóvar, 1984).
Photographs of Chinchón. Left: Arcaded Plaza Mayor, balconies and children playing. Right: General view taken from Calle de la Iglesia. Author: Juan Baraja for Misión Región, 2022.
Province Day in Chinchón. Festival in the Plaza Mayor of Chinchón (Regional. Towns. Bullfighting). Author: Martín Santos Yubero, 1954.