Heritagescapes

We are mapping a heritage ecology of the metropolis of Madrid presented through theories, histories and designs.

A Critical Mapping of the Metropolitan Cultural Landscape: Future Heritages

Research project developed by the Cultural Landscape Research Group GIPC of the Madrid School of Architecture at the Universidad Politécnica de Madrid, with the participation of the ADAPTA Research Group at the Universidad Complutense de Madrid. 
Grant PID2022-140500NB-I00 funded by: 
A meeting dedicated to exploring the historical, spatial and social dimension of agroecology in the Madrid metropolis and to discussing the territorial and programmatic impact of initiatives such as Barrios Productores, among others.
A seminar on the role of artistic representations in the construction of landscape imaginaries and their impact on memory, identity and conservation processes.
A blended intensive programme (BIP, Erasmus+) conceived around the critical mapping of heritage practices in open public spaces.

Landscape and representation

LANDSCAPE AND REPRESENTATION: ECHOES OF MEMORY AND FUTURE RECOLLECTIONS

 

SEMINAR

 

From September 30 to October 2, 2025

Auditorium of the Ministry of Culture

 

 

Twenty-five years after the adoption of the European Landscape Convention, this seminar addresses the challenges of conserving Spanish cultural landscapes from the perspective of their artistic representations. Starting from the premise that novels, paintings, photographs, films, and all other forms of expression shape imaginaries that influence collective memory and the emotional connection to places, the session proposes a critical review of the role of images in the construction, transformation, and valuation of the landscape.

The seminar, entitled «Landscape and Representation: Echoes of Memory and Remembrances Yet to Come,» offered a critical examination of the role of representation in fostering an emotional bond between communities and their landscapes. Coinciding with the 25th anniversary of the European Landscape Convention (2000), the event addressed the major challenges involved in conserving Spanish landscapes. It focused on how artistic representations in novels, paintings, films, and poems shape collective memory and construct a shared imagination. The seminar aimed to deepen understanding of landscapes by emphasizing the intersection of their territorial reality and the aesthetic layers they acquire. This approach seeks to improve conservation and safeguarding processes within the framework of the National Cultural Landscape Plan. Key themes included the specific contributions of photography and cinema to the construction of imaginaries and the capacity of representation to elevate landscapes to the status of cultural assets.

Matrix of photographs of the speakers who participated in the seminar during the presentation days, held in the Jorge Semprún Auditorium, Madrid.

Matrix of photographs of the speakers who participated in the seminar during the presentation days, held in the Jorge Semprún Auditorium, Madrid.

The seminar took place over three days, and the presentations were organised around three main themes: urban space, suburbs, and rural areas. The first theme, dedicated to urban space, was developed during the first day. Opening this block, Guillermo Enríquez de Salamanca emphasized the use of photography as a tool for observing social heritage, discussing the active roles of both the viewer and the object in cultural construction. After him, Lucía Jalón Oyarzun argued for a form of collective mapping, a representation based on emotion rather than mimicking the environment. Beatriz Martins and Yolanda Riquelme (the collective “La Liminal”) presented their perspective on walking as an architectural practice that activates territory. Walking through Madrid brings the landscape to life as the body inhabits the urban space. Elías León Siminiani tackled the role of cinema in architectural narratives while demonstrating how the built environment can be expressive and meaningful by evoking memory through audiovisual work. Finally, Eduardo Miguel de Mesa picked up the cinematic thread to share the achievements of the “Enseñas Patrimonio” programme, in which the community participates in creating audiovisual pieces that speak to their memory. Those who shape the landscape also help to represent, translate, and communicate it.

The second block of presentations, dedicated to the suburbs, took place between the first and second day. Carlota Saénz de Tejada was the first to speak. In her presentation, she explored a perceptual approach to the periphery as a method for characterising it across different scales. She was followed by Juan Calatrava, who used 19th-century Paris as an example to highlight the richness of the periphery as a frontier territory. David Rejano and David Escudero led a discussion guided by images of Madrid’s periphery, where no distinction was made between the everyday and the extraordinary. The following day, Eduardo Nave drew on his photographic work to explain his approach to the landscape through the camera, while Marta Javierre and Fernando Gatón (Huesca Sonora) did the same through the sound recordings they produce in their processes of listening to the territory. Pedro Mullor closed the second block with a story about Kodak and the process of domesticating the photographic event.

The second day concluded with the third block, centred on rural areas. Adolfo Falces conveyed the value of the artist’s transformative gaze, using the CREATECH project to advocate for heritage education. Luis Costa spoke about the need to establish dialogues and relationships between rural landscapes, defending the aesthetic potential of any territory. Fernando García-Dory’s contribution addressed, in part, the possibility of reinventing the countryside through cultural representation. Esperanza Marrodán offered a reading of the landscape’s meaningful value, shaped by the gaze and laden with symbols that help us understand the world. The conference series concluded with Alba Campo Rosillo, who presented a reflective analysis of the colonial gaze in the construction and perception of landscapes. On the third and final day, the seminar concluded with a walking tour on “Paisaje de la Luz: World Heritage and Graphic Representation in Situ.”

Matrix of photographs from the guided interpretive visit made during the last day of the seminar to the Paisaje de la Luz Cultural Landscape, in Madrid.

Matrix of photographs from the guided interpretive visit made during the last day of the seminar to the Paisaje de la Luz Cultural Landscape, in Madrid.

The seminar was organized by the Institute of Cultural Heritage of Spain (IPCE) and was supported by the HERITAGESCAPES State R&D&I Project: “Critical Cartography of the Metropolitan Cultural Landscape: Future Heritage” (PID2022-140500NB-100). Scientific coordination was led by David Escudero (GIPC, Universidad Politécnica de Madrid) and David Rejano Peña (Madrid City Council).

The Frontline Around Madrid: Comparison Between Battle Maps and War Remnants Density Maps of the Spanish Civil War in Madrid

Nicolás Mariné

Curating Heritage. On the Future of the Past in the Everyday Landscape of the Metropolis of Madrid

Rodrigo de la O and Eduardo de Nó

Everyday heritage: Representation and landscape in the region of Madrid

David Escudero and Diego Toribio

Architecture and landscapes for agricultural research in Madrid: documenting scientific and technological heritage

Rodrigo de la O and Eduardo de Nó

Are We What We Eat? A Heritage Perspective on the Agri-food Landscapes of the Madrid Region

David Escudero, Beatriz Pereira

Water to Feed Madrid: 18 km of Orchards and Nurseries Along the Course of the Canalillo

Carmen Toribio

Gardens of yesterday and today, their persistence in the City of Madrid: Comparative study of the Transformation of Private Gardens in Madrid

Lucía Gamboa Sánchez Blanco

Vestige, Signal and Onset of an Event: Sundays at the Rastro

Marina Gil Escalada

Reclaiming the City Through Its River: The Case of the Manzanares

Claudia Rivera Lario

Domestic Architecture in the Sierra de Guadarrama: 20th Century

Guillermo García Prieto

Industrial Madrid: evolution and permanences Around Atocha

Marta Abadín García

Devices of the Real, Collective Devices

Carlo Udina Rodríguez

Between the Playful and the Working-Class: An Atlas of Goya’s Madrid

Juan Castro Sánchez

Towards a Master Plan for the Landscape of Light: Paseo del Prado and Buen Retiro, Landscape of Arts and Sciences

Pablo Jaque Valdés

From water to landscape: the transformation of the Royal Site of Aranjuez through Hydraulic Engineering

Carlos Corisa Andarias

From the kitchen to the landscape. Architectures of Cocido in Madrid.

Beatriz Pereira

Among productive landscapes: the former El Águila brewery in Villaverde, Madrid.

Diego Sacristán

Adaptive reuse and heritage practice: Origins, meanings and strategies

Graziella Trovato

Unveiling Madrid’s Visual Imagery: An Ongoing Attempt

David Escudero

Navigating the Meaques Stream in the Casa de Campo

Clara Cernou

The water footprints of enlightened Madrid and the hydraulic legacy of Juan de Villanueva

Eugenia Abejón

Transhumance Landscapes and Nature-Based Tourism

Cecilia Arnaiz and Marifé Schmitz

Castle of Villaviciosa de Odón: A Scientific Heritage of Forestry Research and Education

Eduardo de Nó

Heritage Networks in Villaverde’s Industrial Landscape

Rafael Guerrero

Ecology of the Royal Sites: The Livestock Trails of El Escorial

Eva Calderón

Co-Design in Urban Framing

Finca formativa "Huerto El Pozo"

The GIPC

Rethinking Public Spaces through Urban Farming

Concha Lapayese, Francisco Arques y Diego Martín-Sánchez

Unveiling Agricultural Heritage

Marina López-Sánchez

Historic Nurseries: A Cultural and Natural Legacy in Transformation

Carmen Toribio

Hydraulic Heterotopias: The Image of Technique

Carmen Toribio

Surrounding the Non-Urbanized Villa de Vallecas

Marina López-Sánchez

Curating Heritage Ecologies

Matrix of photographs of the speakers who participated in the seminar during the presentation days, held in the Jorge Semprún Auditorium, Madrid.
Matrix of photographs from the guided interpretive visit made during the last day of the seminar to the Paisaje de la Luz Cultural Landscape, in Madrid.